Mammaries: Confessions Of A Contented Voyeur

Mammaries: Milk secreting organs of the female species of any mammal, created by the Almighty with the sole purpose of nourishing the famished offsprings of the same (and offsprings and adults of a superior) species. Any other purported objective is purely imaginary, prejudiced, polluting and perfidious.

Welfare: What beneficial accomplishment you execute unto yourself before being footed out (farewelled) or footed around by your detractors or the ‘system’. In other words, ‘welfare’ is the state of wellbeing inflicted upon oneself either by design or destiny.

State: A federation of self governed territories in majestic disarray.

(All definitions have been bootlegged from the Bullford Dictionary of misnomenclature; Hamster and Footbridge publications Inc.)

Upamanyu Chatterjee: Born in 1959, joined IAS in 1983. His first novel – ‘English, August’ was a hilarious take on the Indian bureaucracy, and became a runaway success after it was published in 1988. ‘Mammaries’, which retains Agastya as the main protagonist, is considered to be a fitting sequel to English August.

My tryst with ‘Mammaries’: I picked up ‘Mammaries’ enticed by its ample size, lusty appearance and the sheer provocative appeal of a she-goat’s oversized udders (plus driven by a surge of funny hormones and in perfect consonance with Darwin’s theories of natural selection). Such awfully big and voluminous! 437 pages of unabashed, unbound and bouncy humour – or so the title titillatingly suggested. Particularly in view of the aroma of ‘English, August’ so fresh in mammaries, Upamanyu Chatterjee’s third comical extravaganza promised to be a groovy getaway from the drab hullabaloo of life. What can be more enticing than an insider’s salacious description of gubernatorial goof ups and scandalous relations between brokers of political power? This was an issue not broached frequently, and coming from an author of impeccable credentials, it seemed a worthy expenditure. So out came 295 bucks and ‘mammaries’, sensuously wrapped in a loose paper bodice, was thrust into my eager hands by the Crossword salesman. And while I was driving home with the voluptuous volume by my side, I just couldn’t wait to lay my hands on what lay behind those alluring covers.

The Book itself: The Mammaries of The Welfare State is about the travails of unmarried Agastya, a civil servant who doesn’t mind smoking pot and submitting to the sexual advances of a 40 something divorced socialite heavily influenced by yoga and veganism, amidst a hilariously confusing background of housing problems, transfers, goons, girls, theatre groups, propaganda, perversions, plague, political grime, social stigmas and a virtual potpourri of bureaucratic filth.

Chatterjee takes the reader on a grotesque tour of the dinghy corridors of Indian bureaucracy, lampooning the giant juggernaut and slaughtering sentiments and sensitivities ruthlessly in 12 chapters that constitutes ‘Mammaries’. The sarcasm is just too gory, strewn and scattered at every step, with the bewildered (and unaccustomed) reader having to wince at the liberal use of slang and the choicest of expletives. However, the author is clever enough to veil most of the profanities in a garb of seemingly innocuous literary jargon, without compromising on their inflammatory flavour!

Chatterjee really leaves no opportunity to ridicule the system. His weird and kinky characters include Daya (no, not the affable ‘light throwing’ veteran of MS, but a 40 something divorcee woman with whom Agastya shares his amorous nights), Rajani Suroor (an influential jack of all trades who gets shot by a caricature of a goon), Lina Natesan Thomas (who refuses to take things lying down), Bhanwar Virbhim (an elderly, lecherous and scheming politician who makes it to the cabinet), his equally lecherous but essentially moronic muscle wielding son Makhmal Bagai (the same goon who shot Suroor and who too ultimately seeks refuge in politics), Bhupen Raghupati (a senior bureaucrat with clout and thoroughly repulsive sexual perversions), Kum Kum Bala Mali (a popular film actress of yesteryears – isn’t it too obvious by the way?), Bhuvan Aflatoon (PM) and a multitude of odd sidekicks. He has even named the departments with uncanny ingenuity – DIPRAVED (Directorate of Information, Public Relations And Visual Education) and BOOBZ (Budget Organisation On Base Zero) among others.

I managed to rummage through ‘Mammaries’ in little more than a weeks time, Mouthshut (and all the thundering typhoons therein) taking up the bigger share of my leisure. Chatterjee could have made this novel a bit sleeker by doing away with some 50 – odd pages of uninspiring bureaucratic tomfoolery, but I assume his overeagerness to strip the system stark naked got the better of him. I enjoyed Agastya’s raunchy escapades, and commiserated with his haplessness as the Collector of the imaginary plague – stricken district of Madhna. I relished Chatterjee’s version of Hinglish (there is ample of that exotic stuff too), just as I recoiled at Raghupati’s horrid pedophilia. No doubt, Agastya endears everyone with his ‘May-The-Welfare-State-Go-And-Fetch-Oil’ (Welfare State gaya tel lene!) attitude. Now, I would love to expose more of ‘Mammaries’ but that would take away your right to enjoy this masterpiece on your own. So I conclude with two excerpts replete with trademark sarcastic punches which makes ‘Mammaries’ a thoroughly enjoyable read.

In any given set up, you will first identify the principal source of power. Once identified, you will push, with single – minded sycophantic intensity, to get close. When within sucking distance, you’ll genuflect. Then, your relationship having stabilized, you will magnanimously share your booty, and your soul, with him.

Caste is a much more reliable factor than merit. Every Tom, Dick and Harry has merit, but how many have the right temperament, the right ethos, genes, lineage, morality, attitude, biases, hang-ups – in short – the right caste for a job?

Verdict: RECOMMENDED

This review was first published  elsewhere.

Ramu’s AAG: Infernal Inferno!

Did Ramu watch Sholay 27 times? If that’s the case, then there should be a law to ban such hideously reckless activity, for it gives rise to a dangerous itch, the horrible results of which are there for us all to see and bear. When RGV announced the pompous remake of Sholay with great enthusiasm, I knew it was going to be one of the last nails in his filmmaking coffin. My fears turned out to be true, and so, even with clear disaster warnings written in bold all over, I took a chance with AAG, braved Ramu’s towering inferno for close to 3 hours and came out aghast with a lot of roasted body parts.

The following crap video is a consequence of the severe mental shocks that I endured. I had originally left it out (considering it to be too mawkish) but now that ~uh~™ and bouncing-bubble are poking me in the ribs, I’m sharing it here for your collective merriment.

MY OTHER SIMPLE OBSERVATIONS AND MISCELLANEOUS CONCLUSIONS….


Urmila: Rocking the boats


An extremely irritated Dhanno coming out of the multiplex

Urmila: Depths…of acting talent!

The cinematographer was earlier working with The Royal Japanese Earthquake Filming Society….his unique style of wildly swaying, swinging, spinning, screwing camera angles gave away this valuable clue. It’s another thing that the poor viewers nearly vomited with vertigo and motion sickness. The assistant cinematographer had probably co-invented the stump vision camera. So all shots were taken from 2 ft. height to enable the viewer to have a clear view of the balls’ movement. .I was enlightened by the fact that after the ‘mole’, the next most useful way of hiding your identity is by wearing a brown moustache. A pair of goggles can compliment the mooch nicely. If used intelligently, the combination of a mole, a moustache and a pair of goggles can hide the differences between a man, a dog, a lion, a police inspector and even an elephant.Ajay Devgan (Heero) cant even steal an ogle properly. Each time he stared at Ghungroo’s ghung…I mean breast pockets, he was caught red handed. He nearly drilled his eyes into Ghungroo’s anatomy. Ogling, like whistling, is an art, and like all other fine arts, needs perfection. Heero is lousy and miserable in the movie with his red hair and should have committed suicide when Ghungroo’s mom didn’t consent for their marriage. Had Veeru known that he would be emulated thus, he too would have given up his claim on Basanti, gulped down a few more mouthfuls of whiskey and jumped off the tank in Sholay.

Prashant (Raj) thankfully dies in the last scene. He didn’t have much to do other that look like a cool dude (what’s a dude?).

Babban reminded me of Waterworld somehow. His makeover was hideous. His hamming was pathetic. His gang had a whole bunch of shrunken old men chiselling away old 12 bore guns which led me to suspect that Jai (from Sholay) probably survived, hoodwinked all, fled to Mumbai, became Babban with the help of Gabbar’s dropouts and kicked as*. Also, Babban as a patient appears pretty difficult to treat and seems to be a physician’s nightmare. Likely to be suffering from tuberculosis, barber’s itch, foot drop, limp, groin eczema, sore eyes, psychosis, mange, lice, scabies, pinworm, impotence, Gilles de la Tourette syndrome, dislocated hip joint, asthma, piles, tics…..where is the doctor?

Babban (Baboon)


The Natural Endowment Policy – If you are a nymphet, naturally endowed, love fig leaves, are thrifty with clothes, can jump, heave and are willing to get wet either at the beach or under the shower, you can become Ramu’s heroine and end up with loads and loads of crappy dialogues. He won’t pay any attention to your horrible, slimy, incoherent, staccato jerks which you may try to pass off as acting. Nisha Kothari was pathetic.

Basanti – (N)oodles of oooomph


Had Basanti and Dhanno seen this, both would have turned up at a lunatic asylum. Sush as Durga Devi gave me the impression of the latest version of ‘Widow’s Vista’. Attractively packaged, but terribly faulted. And literally dying to ‘upgrade’ at the first opportunity! When confronted with Raj’s secret love for her, Durga Devi nearly jumped with glee, chanted har har har har har quietly and went about spinning a day dream.

Durga Devi acting coy.


It was hazardous for Amitabh to experiment with an apple, that too at this age. He should have read about Newton’s laws of motion. It was equally hazardous for him to fiddle with ants, bees, flies and kill hundreds of them without any apparent reason. Flickered his tongue like a snake sometimes. Ugh! But I think it is not really Ramu’s fault and shouldn’t be blamed for the hideous misdirection. He was busy directing 12 other movies at the same time. One hits next week.

Hey, let me show you my tooter



Everyone went completely over the top. It was like a mad rush for the gold medal in hamming. The film is horrid, ghastly and revolting beyond belief. All the guns seemed to have an excess of gunpowder, made a terrible racket when fired, and often missed the target. Background score is jarring, deafening and revolting beyond description. Bizarre and unnecessary references to CIA and Al Qaida appear to inserted to give this movie an international texture. Ramu’s creativity seems to have sunk to the pits really. Is this the same one who made Satya???

Tambi showed promise. If he grows a real moustache, sticks to Ramu loyally and doesn’t eye Ramu’s girls, he may land up with a plump role in the near future.



Rajpal Yadav probably choked on icecream and ruined his voice.



Chekravarty’s career seems to have come to an end with Satya. Though only one glimpse of him was heart warming. And I am still to comprehend how a fingerless Narsimha hurled that hunting knife at Babban’s back. Moreover, he failed to convince as a police inspector, no matter how hard he tried. Ramu should have made him a lawyer or something. Would have suited him better.


There are countless other inconsistencies, to document which I shall need to write two more reviews. Naah, don’t really have the stomach for that.

Burrrrp…….faaarrr*t……

Hazam nahi hua….

This post was first published elsewhere. It can be read in the original context along with the comments here.